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Heilan’ Coo by Helen Sproston (Contemporary)

A bonnie portrait in charcoal of one of the stars of the Highland landscape.  Titled, “Hello Coo” by the Scottish artist Helen Sproston.  In good  condition and possibly bearing an indistinct signature, lower left.

Measures 40 cm wide by 30 cm deep (56 cm by 46 cm in ifs frame`).

£x

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West Coast Landscape by John Cochran (exh.1929)

A very pleasing Scottish loch scene by the Glasgow artist John Cochran.  This oil on canvas is signed lower right and is in good condition in its original frame.

Measures 60 cm wide by 45 cm deep (75 cm by 60 cm in its frame`).

£x

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A Man with A Scythe – Pencil Sketch by Sir George Clausen

Bearing the initials of Sir George Clausen (1852-1944), this is a preliminary study for one of his finished oil paintings – “The Harvest”  – and shows a field-worker holding what looks like a scythe.   In good condition in its original frame and mount. A note on the original back-board indicates that this work came from the estate of the artist and collector Edward Le Bas (1904-1966). A small label, verso, also seems to indicate that  it may have been exhibited in 1926.

Measures 14.5 cm wide by 23.5 cm (39 cm by 47.5 cm in its frame).

N.B,  Edwards Le Bas, with the Fine Art Society, provided provenance for the sale of another Clausen work –  the 1890 pastel – “Sheepfold At Evening”.

 

£x

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Going To Work by George Soper (1870-1942)

A delightful etching by the English artist George Soper showing an agricultural worker astride one of two heavy horses  with his faithful dog behind. In good condition and signed in pencil by the artist. Remounted in its original frame which reflects its age.

Measures 28 cm wide by 19 cm deep (52 cm by 42 cm in its frame).

£Xxx

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McArthur, Piper to Ranald Macdonald of Staffa by John Kay (1810)

An original copperplate etching impression by the Scottish caricaturist and engraver John Kay (1742-1826) titled “McArthur, Piper to Ranald Macdonald, Esq. of Staffa”. Signed in the plate, this  work is dated 1810.  In good condition in its original frame and mount.

Measures 12.5 cm high by 19 cm wide (34 cm by 43 cm in its frame).

£xx

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Kilbarchan by William Birnie

A delightful oil on board by the Scottish artist William Birnie showing a view of a village – most probably Kilbrchan where he lived and which he painted often. Signed, lower left, and recently reframed, this work is in good condition.

Measures 38 cm wide by 28 cm deep (60 cm by 50 cm in its frame).

£x

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Cottage Interior in Shandwick, Ross-shire – indistinct signature

Interior of a Victorian cottage in the little fishing village of Shandwick, in Ross-shire, Scotland, showing an old woman sitting in front of the fire, doing her knitting. This work shows some interesting domestic features, including the form of the fire-place and the traditional bed.

This work appears to show part of an indistinct signature, lower right.  It is in good condition in its original frame.

Measures 42 cm wide by 32 cm deep (49 cm by 39 cm in its frame).

£x

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Balmeanach, Skye by Tom Mackenzie (1947-2018)

A delightful etching in colours showing the cliffs  at Balmeanach, on the North West coast of Skye by the Portree artist Tom Mackenzie who died last year.

In good condition in its original frame and mount. Signed in pencil, titled and numbered 40 from a run of 75.

Measures 60 cm wide by 43 cm deep (80 cm by 60 cm in its frame).

£x

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“Look on my works ye Mighty…….” by Bill Shannon

My name is Elephantias King of Kings. With apologies to Shelley.

Mixed media and collage with ivory panels.

Measures 49 cm wide by 49 cm deep in its frame.

£x

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Interior of Rosslyn Chapel by Albany Howarth (1872-1936)

A lovely and quite large etching showing part of the interior of  the 15th century Rosslyn Chapel in the village of Rosslin, Midlothian, by the English artist Albany Howarth.  Signed in pencil and in good condition having recently been remounted. Bears blind stamp.

Measures 24 cm wide by 42 cm deep (38 cm by 66 cm in its frame).

£250

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